Publikationen 2010-2019
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2013
Tinio, P. P. L., Gerger, G., & Leder, H. (2013). Birds of a feather ... Generalization of facial structures following massive familiarization. Acta Psychologica, 144(3), 463-471. https://doi.org/10.1016/j.actpsy.2013.08.003
Leder, H., Ring, A., & Dressler, S. G. (2013). See me, feel me! Aesthetic evaluations of art portraits. . Psychology of Aesthetics, Creativity, and the Arts, 7(4), 358-369. https://doi.org/10.1037/a0033311
Tinio, P. P. L., & Leder, H. (2013). The Means to Art's End: Styles, Creative Devices, and the Challenge of Art. in O. Vartanian, A. S. Bristol, & J. C. Kaufman (Hrsg.), Neuroscience of Creativity (S. 273-298). MIT Press.
Vartanian, O., Navarrete, G., Chatterjee, A., Fich, L. B., Leder, H., Modrono, C., Nadal-Roberts, M., Rostrup, N., & Skov, M. (2013). Impact of contour on aesthetic judgments and approach-avoidance decisions in architecture. Proceedings of the National Academy of Sciences of the United States of America (PNAS), 110, 10446-10453. https://doi.org/10.1073/pnas.1301227110
Leder, H. (2013). Acknowledging the diversity of aesthetic experiences: effects of style, meaning and context. Commentary on Bullot and Reber. Behavioral and Brain Sciences: an international journal of current research and theory with open peer commentary, 36(2), 149-150. https://doi.org/10.1017/S0140525X12001690
Forster, M., Ansorge, U., & Leder, H. (2013). It Felt Fluent and I Liked it: Subjective Feeling of Fluency rather than Objective Fluency Determines Liking. Emotion, 13(2), 280-289. https://doi.org/10.1037/a0030115
Graham, D., Stockinger, S., & Leder, H. (2013). An island of stability: art images and natural scenes – but not natural faces – show consistent esthetic response in Alzheimer’s-related dementia. Frontiers in Psychology, 4, Artikel 107. https://doi.org/10.3389/fpsyg.2013.00107
Forster, M., Gerger, G., & Leder, H. (2013). The glasses stereotype, revisited. The Jury Expert, 25(2), 1-6.
Leder, H. (2013). Next steps in Neuroaesthetics: Which processes and processing stages to study? Psychology of Aesthetics, Creativity, and the Arts, 7, 27-37. https://doi.org/10.1037/a0031585
Brieber, D., & Leder, H. (2013). Dem ästhetischen Urteil auf der Spur: Ein psychologisches Erklärungsmodell des Kunsterlebens. KM Magazin.
Marin, M., & Leder, H. (2013). Examining Complexity across Domains: Relating Subjective and Objective Measures of Affective Environmental Scenes, Paintings and Music. PLoS ONE, 8 (8), Artikel e72412. https://doi.org/10.1371/journal.pone.0072412
Gartus, A., & Leder, H. (2013). Aesthetic evaluation of abstract symmetric patterns with broken symmetries. Perception, 42(ECVP Abstract Supplement), 104.
Slunecko, T. (2013). Der Ausbruch aus der Umwelt. Über entscheidende Momente bei der akzidentiellen Selbstherstellung von Homo sapiens. in Die Entwicklung der Psyche in der Geschichte der Menschheit : Auf dem Weg zu einem integrativen Ansatz (S. 128-139). Pabst Science Publishers.
Brieber, D., Nadal-Roberts, M., & Leder, H. (2013). Effect of context on art experience and viewing behavior. Perception.
Przyborski, A., & Slunecko, T. (2013). Ikonizität – medientheoretisch gedacht und empirisch beleuchtet. in P. Loos, B. Schäffer, & A. Przyborski (Hrsg.), Dokumentarische Methode: Grundlagen – Entwicklungen – Anwendungen (S. 189-212). Barbara Budrich.
Jakesch, M., Leder, H., & Forster, M. (2013). Image Ambiguity and Fluency. PLoS ONE, 8(9), Artikel e74084. https://doi.org/10.1371/journal.pone.0074084
Wieser, M., & Slunecko, T. (2013). Images of the invisible: An account of iconic media in the history of psychology. Theory & Psychology, 23(4), 435-457.
Carbon, C.-C., Färber, S., Gerger, G., Forster, M., & Leder, H. (2013). Innovation is Appreciated When We Feel Safe: On the Situational Dependence of the Appreciation of Innovation. International Journal of Design, 7(2).
Ansorge, U., Kirchler, E., Lamm, C., & Leder, H. (Hrsg.) (2013). TeaP 2013 - Abstracts of the 55th Meeting of Experimental Psychologists. Pabst Science Publishers.
Gartus, A., & Leder, H. (2013). The small step toward asymmetry: Aesthetic judgment of broken symmetries. i-Perception, 4(5), 361-364. https://doi.org/10.1068/i0588sas
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