2020

Publikationen 2020

Reymond, C., Pelowski, M., Opwis, K., Takala, T., & Mekler, E. D. (2020). Aesthetic Evaluation of Digitally Reproduced Art Images. Frontiers in Psychology, 11, Artikel 615575. https://doi.org/10.3389/fpsyg.2020.615575

Lukács, G., & Specker, E. (2020). Dispersion matters: Diagnostics and control data computer simulation in Concealed Information Test studies. PLoS ONE, 15(10), Artikel e0240259. https://doi.org/10.1371/journal.pone.0240259

Mitrovic, A., Hegelmaier, L. M., Leder, H., & Pelowski, M. (2020). Does beauty capture the eye, even if it's not (overtly) adaptive? A comparative eye-tracking study of spontaneous attention and visual preference with VAST abstract art. Acta Psychologica, 209, Artikel 103133. https://doi.org/10.1016/j.actpsy.2020.103133

Pelowski, M., Specker, E., Gerger, G., Leder, H., & Weingarden, L. S. (2020). Do You Feel Like I Do? A Study of Spontaneous and Deliberate Emotion Sharing and Understanding Between Artists and Perceivers of Installation Art. Psychology of Aesthetics, Creativity, and the Arts, 14(3), 276–293. https://doi.org/10.1037/aca0000201

Kaisler, R. E., Marin, M., & Leder, H. (2020). Effects of Emotional Expressions, Gaze, and Head Orientation on Person Perception in Social Situations. Sage Open, 10(3). https://doi.org/10.1177/2158244020940705

Przyborski, A., & Slunecko, T. (2020). Understanding media communication: On the significance of iconic thinking for a praxeological model of communication. Sage Open, 10(3). https://doi.org/10.1177/2158244020952064

Pelowski, M., Spee, B. T. M., Richard, A., Krack, P., & Bloem, B. R. (2020). What Parkinson’s Reveals About the Artistic Spark. American Scientist: the Magazine of Sigma XI, the Scientific Research Society., 108(4), 240-245. https://doi.org/10.1511/2020.108.4.240

Specker, E., Forster, M., Brinkmann, H., Boddy, J., Immelmann, B., Goller, J., Pelowski, M., Rosenberg, R., & Leder, H. (2020). Warm, lively, rough? Assessing agreement on aesthetic effects of artworks. PLoS ONE, 15(5), Artikel e0232083. https://doi.org/10.1371/journal.pone.0232083

Gartus, A., Völker, M., & Leder, H. (2020). What Experts Appreciate in Patterns: Art Expertise Modulates Preference for Asymmetric and Face-Like Patterns. Symmetry, 12(5), Artikel 707. https://doi.org/10.3390/sym12050707

Slunecko, T. (2020). Tracking one’s own path: A methodological leitmotif of cultural psychology. Integrative Psychological & Behavioral Science, 54(1), 196-214. https://doi.org/10.1007/s12124-019-09479-2

Immelmann, B., Boddy, J., Rosenberg, R., Leder, H., & Brinkmann, H. (2020). Kandinsky's Bauhaus Questionnaire: Color-Form Correspondences between Introspection and Experiment. Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft, 64(2), 261–287.

Korb, S., Massaccesi, C., Gartus, A., Lundström, J., Rumiati, R., Eisenegger, C., & Silani, G. (2020). Facial responses of adult humans during the anticipation and consumption of touch and food rewards. Cognition, 194, Artikel 104044. https://doi.org/10.1016/j.cognition.2019.104044

Clay, V., Schrumpf, J., Tessenow, Y., Leder, H., Ansorge, U., & König, P. (2020). A quantitative analysis of the taxonomy of artistic styles. Journal of Eye Movement Research, 13(2), Artikel 5. https://doi.org/10.16910/jemr.13.2.5

Przyborski, A., & Slunecko, T. (2020). Dokumentarische Methode: Ein praxeologischer Zugang für qualitative Forschung in der Psychologie. in G. Mey, & K. Mruck (Hrsg.), Handbuch Qualitative Forschung in der Psychologie (S. 627-642). Springer. https://doi.org/10.1007/978-3-658-18387-5_45-2

Hur, Y.-J., Gerger, G., Leder, H., & McManus, C. (2020). Facing the Sublime: Physiological Correlates of the Relationship Between Fear and the Sublime. Psychology of Aesthetics, Creativity, and the Arts, 14(3), 253–263. https://doi.org/10.1037/aca0000204

Luckgei, V., Ruck, N. M., & Slunecko, T. (2020). History of Feminist Psychology at the University of Vienna, 1984-2000. in Oxford Research Encyclopedia of Psychology Communication: Oxford Research Encyclopedias. https://doi.org/10.1093/acrefore/9780190236557.013.611

Tinio, P., & Specker, E. (2020). Observation Method in Empirical Aesthetics. in M. Nadal, & O. Vartanian (Hrsg.), The Oxford Handbook of Empirical Aesthetics (S. 219-234). Oxford University Press. https://doi.org/10.1093/oxfordhb/9780198824350.013.10

Brieber, D., Forster, M., & Leder, H. (2020). On the Mutual Relation Between Art Experience and Viewing Time. Psychology of Aesthetics, Creativity, and the Arts, 14(2), 197–208. https://doi.org/10.1037/aca0000210

Reitstätter, L., Brinkmann, H., Santini, T., Specker, E., Dare, Z., Bakondi, F., Miscena, A., Kasneci, E., Leder, H., & Rosenberg, R. (2020). The display makes a difference: A mobile eye tracking study on the perception of art before and after a museum’s rearrangement. Journal of Eye Movement Research, 13(2), Artikel 6. https://doi.org/10.16910/jemr.13.2.6

Pelowski, M., & Specker, E. (2020). The general impact of context on Aesthetic Experience. in M. Nadal, & O. Vartanian (Hrsg.), The Oxford Handbook of Empirical Aesthetics (S. 885-920). Oxford University Press. https://doi.org/10.1093/oxfordhb/9780198824350.013.42